Wednesday, 1 May 2013

Nikon D5000


UniSA's Camera: Nikon D5000



Body type
Body typeCompact SLR
Sensor
Max resolution4288 x 2848
Other resolutions3216 x 2136, 2144 x 1424
Image ratio w:h3:2
Effective pixels12.3 megapixels
Sensor photo detectors12.9 megapixels
Sensor sizeAPS-C (23.6 x 15.8 mm)
Sensor typeCMOS
ProcessorExpeed
Image
ISOAuto, 200 - 3200 (plus 6400 with boost)
White balance presets12
Custom white balanceYes (5)
Image stabilizationNo
Uncompressed formatRAW
JPEG quality levelsFine, Normal, Basic
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Selective single-point
  • Single
  • Continuous
  • Face Detection
  • Live View

Digital zoomNo
Manual focusYes
Number of focus points11
Lens mountNikon F mount
Focal length multiplier1.5×
Screen / viewfinder
Articulated LCDFully articulated
Screen size2.7
Screen dots230,000
Touch screenNo
Live viewYes (With contrast-detect AF, face detection and subject tracking)
Viewfinder typeOptical (pentamirror)
Viewfinder coverage95 %
Viewfinder magnification0.78×
Photography features
Minimum shutter speed30 sec
Maximum shutter speed1/4000 sec
Aperture priorityYes
Shutter priorityYes
Manual exposure modeYes
Subject / scene modesYes
Built-in flashYes (Pop-up)
Flash range17 m (at ISO 100)
External flashYes (Hot-shoe)
Flash modesAuto, On, Off, Red-eye, Slow sync, Rear curtain
Continuous driveYes (4 fps)
Self-timerYes (2, 5, 10 or 20 sec)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing±2 (3 frames at 1/3 EV, 1/2 EV steps)
WB BracketingYes (3 frames in either blue/amber or magenta/green axis)
Videography features
Format
  • Motion JPEG
MicrophoneMono
Resolutions1280 x 720 (24 fps), 640 x 424 (24 fps), 320 x 216 (24 fps)
Storage
Storage typesSD/SDHC card
Storage includedNone
Connectivity
USBUSB 2.0 (480 Mbit/sec)
HDMIYes
WirelessEye-Fi Connected
Remote controlYes (Optional (ML-L3))
Physical
Environmentally sealedNo
BatteryBattery Pack
Battery descriptionNikon EN-EL9a Lithium-Ion battery
Weight (inc. batteries)590 g (1.30 lb / 20.81 oz)
Dimensions127 x 104 x 80 mm (5 x 4.09 x 3.15)
Other features
Orientation sensorYes
Timelapse recordingYes
GPSOptional
GPS notesGP-1





Tuesday, 16 April 2013

Magdelena Bores

Magdelena Bores


“The Seventh Bay”
ABC video:
·       Gippsland Art Gallery
·       Figure in domestic environment
·       Imagery or real spaces
·       1 year in production

Installation artist (2 years on each), photos + building, 100,000 pieces
·       Seventh day  (Sunday)
·       5 series on website

·       Natural and artificial lighting
·       Two shadows on the wall behind person, suggests lashes or two light sources

Build up light sources in your work:
Diffusion, light, colour change

Tracing paper to diffuse light i.e. on lamp
·       In portraiture, you want diffused light

Crowded:
·       Loses its meaning
·       Where’s the focus, confusion and distraction
·       Think about content

Apostles, comments on natural features
Bungle Bungles, mountains

Lighting on newspapers: what if they are digitally made, but are made life size, information acts as a spoiler, takes something away

If you make an effort to make a model, make it look like a model, not like it’s been photo-shopped

Artificial light:
White light, neutral and colour balanced, flesh tones look real

Natural light, whites are white

Format changes: long time to do the images

Great difference in subject matter:
·       Consistency and continuity
·       Work as a series
·       Lack of obvious common theme … domestic scale
·       Perspective has changed

Concern for human beings and how they operate in domestic spaces


Further Research:

"Magdalena creates works of art from everyday items and materials in everyday settings. Photos are staged,  “using a domestic space to create something fantastical” http://www.magdalenabors.com/#!about/ccj1

She leaves the question of whether the scenes are imaginary or real, the scenes appear realistic to a point and then they become questionable… This is a concept I would like to use in my work. The image looks realistic but when you look closer something is not quite right or normal...
 
Looking through her collections, some of my favourite works by her are shown below:
I think both are quirky and brainstorming ideas for my final assignment, one theme I had in mind was Alice in Wonderland. I think these images are a quriky and fascinating! I like the use of normal scenes with weird things/objects happening or appearing, like they come out of nowhere!!


Jungle l 2010 l Pigment Print l 165x110cm


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Woodland Scene l 2006 l Pigment Print l 70x70cm

 

Week 6 Exercises:


Week 6 Exercises: 



Photoshop has standard Auto Corrections such as:
Image: Auto colour, Auto tone, Auto contrast






Using 1_slovenian_river.jpg:



Image is under exposed 
    - using the histogram we can see this...



Use Auto Colour
  • Calm, beautiful, peaceful
  • Warmer image



- Still under exposure




  

Areas of high contrast:  Purple fringing at edges shown below:






CLONE STAMP TOOL
·       Size and hardness of brush
·       Blend modes
·       Opacity
·       Pens/pencils used with tablets
·       Drop down menu, current layer









Hold option key
·       Sample rocks to cover other rubbish



You’ll see patterns of landscape if you look at image with vigour



“Non destructive” way of doing it use:
  • layer 1 (copy)
  • Different size brushes




NOTE: GARBAGE is in the image (top left)

















Final Image: 












Using 2_hound.jpg:




Clone Tool:
·       Window, clone sources
·       Change opacity
·       Change brush size
·       Change hardness
















Final Image: 














Using 3_tattoo.tif:



Patch Tool:
Click on selection and move it, heal if necessary














Final Image: 










Using 4_wellknownfolk.jpg: 



Use any/some/all the tools learnt above: 






left: 4_wellknownfolk.jpg before 
right: my editing (unfinished)




These techniques are so cool! I love the clone stamp tool! I think once you get the hang of using them they are going to be very useful tools to use in my own work! Everytime I look at these images I am amazed that I did them! I know they aren't perfect but the techniques and tools are so clever! 




DIGITAL MANIPULATION IN NEWS
·       Different perspectives
·       Darker shadows, no feathering
·       Repeated areas physically highlighted




CJ showed us a photograph on the internet/news website which looked at this kind of digital manipulation in the media:
The Atlantic: In focus... "Is the North Korean hovercraft, landing photo faked?"


LECTURE 12/04/2013

LECTURE NOTES 12/04/2013

Class Presentation: Urban Landscape 

Presented by: Cameron



Urban landscape:


  • Different generations of buildings
  • Urban photography gritty, not always pretty + quite abstract

Mark Bury
  • Buildings under construction

“Night Incursion” by Mugley
“Fruit Stand” by Vince Alongi
“Over the Footbridge” by Stephanie Krishon

Perspective
Interesting patterns
Contrast, nature +manmade structure (compare, history, potential of one)

  • Fallen buildings = structure of rubble … looks like it’s been through a lot
  • Construction (contrast) …….how it’s going to look, structural
 
 


Class Presentation: Alex Prager 
Presented by: Adam




Alex Prager: American
  • Personality + interest into series
  • Vintage clothing, Alfred Hitchcock
  • Digital photographer + filmmaker
 
Cinematic style “Rachel and Friends”
  • Snapshot from film (old school)
  • Lighting
  • Colour saturation
  • Intricate set + costume design
  • Series focusses on individual women
  • Selective lighting …. Choses what she shows ….portion of car “Cindy”

“Susie + Friends”
  • Movement, steam
  • Stills from ‘50’s, ‘60’s and ‘70’s
“Cathy”

“Su Valley + Eye #3”
  • Before, during and after … what happens...
“Irene”
  • Control of water                                                                                
  • Lighting layers   ……inside car, outside car, in store

CJ: culturally ambiguous, story is ambiguous; movement is between something, still the moment, to then ponder


Tracey Motrach:
  • Action in film i.e. Gunshot




 


Class Presentation: Emmanuel Correia  
Presented by: Helen


Emmanuel Correia 
  • Architecture agency as graphic designer +photographer
  • Landscape photography, presence of nature without man
  • Recent works: portraits +architecture
  • She prefers landscape photography
 
    Waterscape Collection
   “End of Line of Defence” 2006
  •      Focusses on central image not whole image
   2nd Waterscape “Little Rocks on the Lake”
  •      Vastness of nature

“Calming + Serene"
  • Darker from one end to the other
  • Simple things hold beauty
    “In Deep”
 
  •      Colour is effective, soft and calm
  •      Reminiscent of dreams you’d never want to wake up from
  •      Simplicity, relaxation
  •      Realistic but have element of haze

Selective focus
  • "The Alps", mountains look smaller
    No ripples                                                                                   
  •      MOOD, MEMORIES, SIMPLICITY
  •      Shutter speed slower, longer exposure
  •      back and forth tide, long exposure smooths water and ripples
    Mark McKenna:
  •     English, uses the above technique