LECTURE NOTES 5/4/2013
Samstag Museum: Phantasia
Phantasia – Part I
Alexia Sinclair:Samstag Museum: Phantasia
Phantasia – Part I
- Regel 12: 3 years worth
- 1 woman show
- hundreds of layers
- push and polish
Simon Strong:
- dreams
- childhood memories
- water
- urban spaces we live in
- sinister and dark things happen on our doorstep
Mark Kimber:
- recreate a painting from his childhood
- travel and escape
- reconstruct life
- 15-20 images
- range of sketches, images and photos arranged together in photoshop
CJ's Thoughts:
- taking hours, days, months, etc. in production
- what this means for them (the artists)
- polished imagery “photoshoped”
"Phantasia" on ABC Sunday Arts, 7 June 2009
Source: http://www.youtube.com/watch?v=P3V9BXdYGkk&feature=player_embedded
S Aussie Photographers
- distrort photography
- Alexia Sinclair’s quote “push pixels as far as they could go"
- Want people to think they're real
- Literal doesn’t satisfy photgraphers
- Angus McBean – surrrealists, Francis Day
- Magdelna Bores recreates Angus McBean – fairytale images in dometic setting
- They refer back to paiting, storytelling, and fiction
'Vapourtrout' by Mark Kimber:
- Panoramic
- Vary in coulour and quality
- Visual yearning for pre-history
- Combine and build fictional landscapes
Andrew:
- Idea that civilization was emerging
- 1990’s – top hats etcs
Robin McFaralan – Art Critic
- said he was "glad he made the artwork, because it was memorable"
Alexia Sinclair:
- respect of women from bygone age
- such as: Marie Antoinette
Simon Strong:
- Childhood
- Anxieties – fear of leaking water and bugs inside
- Conscious and inconsciousmemorable
“Fine Art Photographer” – hiarachy in art
- The idea photography: documented visual art
Bill Henson – controversy
- admiration/inspiration for technical detail
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